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“I have, like, another family.”įor more information about C. “I just love doing it because all of my friends are here,” says Serina Patel, 11. Many of the students form lasting friendships in Chandni’s classes. “My entire family asks me to do performances whenever we get together or there’s a wedding,” says 14-year-old Mansi Patel, who has been attending classes for a decade. The classes teach them about customs, songs and language and help them feel connected to their Indian heritage. “These girls are beautiful dancers but you should see their mums,” Chandni says.įor many of the girls, including Chandni’s own teenage daughters, 15-year-old Karishma and 13-year-old Kareena, the classes are about more than dancing. Students range from girls of 3 to women in their 40s. Fitness gym, Just Dance Studios and the Jewish Community Center. Instead, through the community performances, students can receive community service hour credits for their schools.īecause Chandni is the studio’s sole teacher, she currently keeps the number of students at between 80 and 100, holding classes on the weekends at one of three locations – a local L.A.
While some of her students have danced independently at area theme parks, Chandni accepts no money for her studio’s performances. “It might be culturally diverse, but at the end of the day, it has to be all community-driven,” Chandni says. They’ve been invited to dance for the Chinese New Year and Jewish community events. For one event, they raised $30,000 for area hospitals. Since then, Chandni’s dancers have performed at civic centers, community centers, an Orlando Magic halftime show, festivals and schools.
She started with Chandni at the age of 15 after more than a decade of other dance forms – including tap, ballet and jazz – as well as cheerleading.
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Choksi, a certified professional accountant, called this practice light compared to others that are more fast-paced and involve cartwheels, handstands and splits. “I will go home drenched in sweat,” says Nirali Chokshi, 29, during a break. The dances are equal parts rhythmic, elegant, enchanting and athletic. Now she feels her classes – a mix of Indian, jazz, hip-hop, Latin and modern dance – appeal not only to her own eclectic style and strengths, but also help keep the lessons relevant to her students, almost all of whom are of Indian heritage but born or raised in the United States.
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When she was offered a part in a Bollywood movie at the age of 17, her love of blended dance styles blossomed, and she went on to appear in six films in the dance-rich Indian movie industry.Īfter moving with her British husband to Orlando in 1994, she started C. “That’s it!” Chandni calls with encouragement.Ĭhandni, who grew up in Delhi, India, studied many forms of dance, including modern and classical Indian dance, starting at the age of 5. Then they are up on their toes, arms swiveling and hips rotating first in small circles, then big, then – slam! – they are bouncing with one foot forward, then back, then forward, their arms, hands and fingers moving in ballet-like precision – their necks, even, turning artfully, their long hair billowing behind them. When the music starts, the dancers begin in a thigh-burning open squat position, backs straight, arms gracefully arching from right to center to left then overhead with the beat of the song. Two older dancers in their 20s wear lehenga cholis in colors of red and purple. The teen girls around her are dressed in lehenga cholis – a traditional formal outfit from India – with white satin skirts bordered at the hem with red velvet, belly-baring tops of red velvet with gold embroidery, and flowing shawls, or dupattas, languidly draped over shoulders or around necks. “If you can get that knee up here – five, six, seven, eight – you finish here,” she says, moving the lifted leg from center to right two times to the count while standing balanced on the other leg. She lifts her right leg, bent at the knee, the thigh parallel to the ground. “Get that elbow up high,” Chandni calls in a voice tinged with a British accent, while she and the students stare into the mirrors. Her long, silky jet-black hair cascades down her back. Her given name is Navodita Sharma but she goes by her stage name Chandni, and she is wearing an elegant, floor-length butter-yellow gown embroidered with white patterns across the front and wrist-length sleeves of see-through lace.
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A graceful dancer stands poised in a room full of teenage girls and young women arrayed in front of a wall of mirrors.
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